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- Original Title : The Alamo
- Movie title in your country : The Alamo
- Year of movie : 2004
- Genres of movie : Western, History, War,
- Status of movie : Released
- Release date of movie : 2004-04-07
- Companies of movie : Imagine Entertainment, Touchstone Pictures,
- Countries of movie : United States of America,
- Language of movie : English, Español,
- Durationof movie : 137 Min
- Average vote of movie : 5.8
- Youtube ID of movie : eI5JKD9OKR8
- Translation of movie : EN,RU,PT,HU,FR,ES,SV,NL,CS,HE,TR,FI,PT,DE,IT,
- Actors of movie :Leon Rippy (Sgt. William Ward), Laura Clifton (Susanna Dickinson), Ricardo Chavira (Private Gregorio Esparza), Dennis Quaid (Sam Houston), Emily Deschanel (Rosanna Travis), Estephania LeBaron (Juana), Joe Stevens (Mial Scurlock), Brandon Smith (Lieutenant Colonel J.C. Neill), Patrick Wilson (William Travis), Billy Bob Thornton (Davy Crockett), Elena Hurst (Stunning Tejana), Steven Chester Prince (Lieutenant John Forsythe), Marc Blucas (James Bonham), Kevin Page (Micajah Autry), Stephen Bruton (Captain Almeron Dickinson), Jason Patric (James Bowie), Tommy Davidson (Colonel Green Jameson), Emilio Echevarría (Antonio Lopez de Santa Ana), Robert Prentiss (Albert Grimes), Jordi Mollà (Juan Seguin)
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The Alamo is the foremost movie produced by Imagine Entertainment, Touchstone Pictures, accompanying a description of the movie is "Based on the 1836 standoff between a group of Texan and Tejano men, led by Davy Crockett and Jim Bowie, and Mexican dictator Santa Anna's forces at the Alamo in San Antonio, Texas.". The film was produced with excellent graphic quality, best sound quality and finest starring actors.
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Sound Re-Recording Mixer : David E. Fluhr, Construction Foreman : Craig Byrom, Assistant Costume Designer : Nanrose Buchman, Associate Producer : K.C. Hodenfield, Assistant Sound Editor : Steven Gerrior, Production Sound Mixer : John Pritchett, Production Supervisor : Richard E. Chapla Jr., Stunt Coordinator : Phil Neilson, Gaffer : James J. Gilson, Production Design : Michael Corenblith, Digital Compositors : Michael Curtis, Set Decoration : Carla Curry, Set Costumer : Stephany Baskin, Screenplay : Stephen Gaghan, Still Photographer : Deana Newcomb, Foley : John Roesch, Supervising Sound Editor : Jon Johnson, Production Office Coordinator : Steve Salada, Transportation Coordinator : Phil Schriber, Property Master : Don Miloyevich, Assistant Property Master : Wendy Bonn, Gaffer : John L. Lewis, Dolly Grip : John Murphy, Orchestrator : Sonny Kompanek, Scenic Artist : Wendy Bonn, Screenplay : John Lee Hancock, Painter : Gloria Ciraolo, Production Accountant : Chris Silver Finigan, Craft Service : Erick Garibay, Seamstress : Annette Hoffman, Post Production Assistant : Jeff Schweikart, Director : John Lee Hancock, Standby Painter : Thomas V. Johnson, Casting Assistant : Courtney Sheinin, First Assistant Camera : Fred L. McLane, Art Direction : Lauren E. Polizzi, Stunts : David Alvarado, Tailor : James Irvin Gates, Producer : Ron Howard, Video Assist Operator : Roger Basquette, Set Costumer : Yvonne Wilburn, Studio Teachers : Laura Gary, First Assistant Director : K.C. Hodenfield, Art Direction : Dan Webster, Script Supervisor : Gina Grande, Sound Recordist : Gabriel Guy, Utility Sound : Kay Colvin, Camera Operator : Mark O'Kane, Original Music Composer : Carter Burwell, Greensman : Raul V. Carrera, Visual Effects Producer : Kip Larsen, Second Unit : Phil Neilson, Assistant Art Director : Al Hobbs, Sculptor : Randy Severs, Grip : Andy deBruyn, Hairstylist : Chelsea Carpenter, Sculptor : Kenneth Garrett, Driver : Charles Coulter, Digital Intermediate : Lorene Simpson, Makeup Artist : Angela Angel, Supervising ADR Editor : Darrell Hanzalik, Best Boy Electric : Stephen Beasley, Choreographer : Jerry Evans, Quality Control Supervisor : Kevin Lin, Unit Publicist : Ernie Malik, Hair Department Head : Kim Santantonio, Visual Effects Coordinator : James D. Tittle, Foley Editor : William Jacobs, Additional Camera : Brown Cooper, Sound Re-Recording Mixer : Christian P. Minkler, Assistant Production Coordinator : Lauren Swearingen, Sound Effects Designer : Charles Maynes, Propmaker : Ross Macdonald, Camera Loader : Victoria Gonzales, Costume Design : Daniel Orlandi, Set Production Assistant : Meg Beatty, Musician : George Doering, Transportation Co-Captain : Greg Faucett, Set Designer : Randall D. Wilkins, Utility Stunts : Austin Anderson, Associate Editor : Mark Rathaus, Makeup Department Head : Edouard F. Henriques, Key Costumer : Javier Arrieta, Storyboard : Mark Lambert Bristol, Executive Producer : Philip Steuer, Visual Effects : Patrick Phillips, Assistant Art Director : Kevin Cross, Costume Supervisor : Elaine Ramires, Associate Producer : Louisa Velis, Music Editor : Bryan Lawson, Dialogue Editor : Mark Gordon, Art Department Coordinator : Ana Martinez, Systems Administrators & Support : Simon Walton, Sculptor : Patrick Thornton, Location Scout : Mateo Barnstone, Set Costumer : Laura Hodges, Sound Effects Editor : Brian W. Jennings, Set Designer : Charisse Cardenas, Executive Producer : Todd Hallowell, Boom Operator : David M. Roberts, Department Administrator : Keri Moorhouse, Sound Editor : Keith Bilderbeck, First Assistant Editor : Don Thompson, Costume Supervisor : Dan Bronson, Dialogue Editor : Robert Troy, Visual Effects Supervisor : Craig Barron, Foley : Alyson Dee Moore, Wigmaker : Carol F. Doran, Leadman : Shane Patrick, Second Assistant Director : Jeff Okabayashi, Music Editor : Adam Milo Smalley, Sculptor : Dewey Rash, Chef : Joel Poage, Editor : Eric L. Beason, Music Supervisor : Monica Zierhut, Transportation Captain : Lonnie Nelson, Special Effects Coordinator : Larz Anderson, Carpenter : Steve Allen, Costume Supervisor : Mitchell Ray Kenney, Title Designer : John Brian King, Visual Effects Editor : Ken Rogerson, Set Medic : John Arszyla, Armorer : Vern Crofoot, Key Makeup Artist : Greg Funk, Stand In : Bert Beatson, 3D Artist : Glenn Cotter, Construction Coordinator : Tom Ward, Unit Production Manager : Kathleen McGill, Lead Painter : William F. Gambill, Post Production Supervisor : Susann Jones, Camera Intern : Trevor Doyle Nelson, Key Hair Stylist : Thomas Real, Steadicam Operator : Tony Rivetti, Set Costumer : Anna Abbey, Screenplay : Leslie Bohem, Location Manager : Eric A. Williams, Set Dresser : Bart Brown, Director of Photography : Dean Semler, Electrician : Troy Anderson, Producer : Mark Johnson, Rigging Grip : Steve Drake, Color Timer : Steve Bowen, Casting : Ronna Kress, Still Photographer : Van Redin, Production Coordinator : Mika Saito
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